Join co-sponsors Center for Gender, Race and Area Studies, and Peace and Conflict Studies as we host Loubna Qutami in a timely and thought-provoking discussion on Palestinian Feminism.
Come and meet fellow Clark students and staff who are interested in learning and practicing a new language.
Join professional opera performers Rachel Hippert and Jose Heredia as they take you on a journey of horror music from the gothic to contemporary.
Nathan Braccio, Assistant Professor of History at Clark University, explores how both Algonquian-speaking communities and English colonists made maps as tools in a struggle for cultural and physical control of the Northeast.
Support your local Black artists at our annual pop-up market featuring BIPOC artists from Clark and the larger Worcester community.
In this talk, Clark University professor Elizabeth Blake (English) focuses on T. S. Eliot’s “The Love Song of J. Alfred Prufrock” and H. D.’s “Priapus” to discuss the way modernist poets disrupt lyric traditions by setting intertextuality and phenomenological referentiality in tension in order to explore queer experience.
The Women in Horror Month Student Panel showcases research and discussion on a variety of different horror topics ranging from gender and queer studies to film techniques.
Professor Jenny Goldstein of Cornell University will present “Starting with solutions: A Global Political Ecology of Algae Innovation.”
Journalist and trans activist Erin Reed will trace the evolution of transgender identity, examine ongoing developments in trans health care, and offer concrete steps for people to become better allies, advocates, and observers.
Belonging Talk with Dr. John Nassari, forced migration scholar and award-winning photographer based in London.
Binghamton University Professor Jason Moore will present “Climate Revolts, Climate Crises, or, Why Climate Doomism is Bad History, Terrible Geography, and Even Worse Politics.”
Alexandra Bell isan interdisciplinary artist who investigates the complexities of narrative production, consumption, and perception. She considers the ways media frameworks control how narratives involving Black communities are depicted and, in turn, disseminated.
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